Camilleri, author of Montalbano detective series, dies at 93

FILE - In this Sept. 14, 2005 file photo, Italian author Andrea Camilleri, left, flanked by actor Luca Zingaretti, celebrates his 80th birthday, at the RAI headquarters, in Rome. Camilleri, known for his popular novels and TV series centered on the much-loved inspector Salvo Montalbano, died in Rome, Wednesday, July 17, 2019, at age 93. Camilleri was Italy’s most successful writer, but until he was nearly 70 he had been a virtually unknown author of a handful of historical novels set in his native Sicily. (AP Photo/Sandro Pace, file)

Sicilian writer Andrea Camilleri who won millions of loyal fans worldwide for his series of books about Sicilian detective Montalbano, has died at age 93.

ROME — Author Andrea Camilleri, creator of the best-selling Commissario Montalbano series about a likable, though oft-brooding small-town Sicilian police chief who mixed humanity with pragmatism to solve crimes, died in a Rome hospital Wednesday. He was 93.

Italian RAI state TV, which produced wildly popular TV versions of his detective stories, interrupted its programming to announce his death and comment on his works.

Rome's hospital system also announced the death, a few weeks after the long-ailing Camilleri was hospitalized with heart problems and complications from a broken hip.

Camilleri's books — most set in his native Sicily — sold some 25 million copies in Italy, where literary best-sellers are usually measured by the tens of thousands.

He had legions of readers overseas, too, thanks to the enduring popularity of his character, police chief Salvo Montalbano.

Italian state TV versions of the series were so popular that even repeats consistently snagged the highest audience ratings. The shows were also exported to Latin America, Australia and across Europe.

His position at the top of the book sales charts in Italy — Camilleri often had several books high in the rankings in the same week — was even more remarkable because the author sprinkled many of his works with words that many Italians aren't familiar with. He affectionately borrowed from the dialect of his Sicilian youth, which Camilleri saw as better lending itself to expressing characters' emotions.

Camilleri employed a brilliant ear for dialogue, drawing on his many years as a theater and TV director and scriptwriter before his literary career took off when he was approaching old age.

Indeed, TV adaptations of the Montalbano books used generous chunks of dialogue straight out of the printed pages, so smooth was the transition from book to screen.

"After 30 years in the theater as a director, dialogue for me becomes fundamental in the structure of the novel," Camilleri told The Associated Press in an interview in his Rome apartment in 2009.

The shows hooked millions of viewers with picture-postcard views of Baroque Sicilian towns. Tourists vied for turns to eat in the seaside trattoria where scenes of Montalbano's dining out were filmed. Between filming seasons, they traipsed through the beach town of Punta Secca to photograph the seaside house with inviting terrace where Montalbano "lived" and took dips in the same waters where the character swam to clear his head when sleuthing got heavy.

Camilleri's books traveled well, dialect and all.

"I don't believe there has ever been another Italian author with so many books translated into English" in just a few years, Harvard University Romance languages professor Francesco Erspamer said. Camilleri's works were translated into some 30 languages, including Chinese.

While the Montalbano police stories shot him to fame, Camilleri was versatile in his output. Among his works are a fictionalized biography of Nobel laureate Luigi Pirandello, who was born not far from Camilleri's hometown, and a dark novel about a sexually abused Sicilian boy's childhood during Fascism.

He produced his 100th book in 2016, when he was 90. The plot of "L'altro capo del filo" (The other end of the thread), a Montalbano story, deals with the drama of thousands of migrants reaching Sicilian shores after rescue at sea. By the time he wrote it, poor eyesight had forced Camilleri to dictate his novels to his faithful assistant, instead of creating them on his typewriter, where he used to work every day from before dawn for three hours.

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